Tuesday, November 23, 2010
Saturday, September 4, 2010
Saturday, June 5, 2010
ELO 8
the even darker discontinuities of modern whom literally organized or in void of the designated reality distance between words and things disappear technology as some of the more recent ideas about the adjectives of these works antirepresentationailty terms from of course and gives us their work let’s say fidget patchwork screenshot as a discourse these are the attributes while identifying apprehension as a state of edge to understand the outset role as an apparatus role to link technology as we have to situated here reminds to the ideological public relations up to the ‘60s abandonment of pragmatic at the same time revised modes a similar set with respect networks as the new principle media programing shifts of production models discontinued flexible transition origins first silicon markets and a new set simultaneously framework also structural capital state labor neo post reimagining interface toward dereg automony from tenure away from the market itself as a sole marker concept for example according to social networking looking at more of its relationship to the network redefining the individual collective broken mirror not surprisingly as a communication qualities of ontological coordinates of the rationalization of contemporary paradigm of solely as a means of make of modes of social enduring expressions as agents use of the screen appear face to doesn’t know something is going on of course the mirror still whether they realize it to actually prevent the object of deluded participant yet instead of what is it but gradual missing double allusion part of the joke to pretend the charade if both deceiving me to preserve the even now but we really don’t know the mirror isn’t there more seriously to this dynamic to deceive and slaughter with the sound of its own making as interpretted where he literally type auction remians the true state of perpetual ethernet check begins over the essential component requiring the probably asking motive when the pieces substantial desire to ownership habit to extend the perpetuity this where she permanent network semi always present thank
break
ELO 7
no longer the subject
work in dreams
better the range of imagery
to our current psychosocial moment
and general athleticism
defining otter concept
legitimation reflective self
determining subject in the back of a rather long queue
inspired by rapid overshadowed darker
growing high culture subjectivity
germaine to 20th c thot
work in dreams
better the range of imagery
to our current psychosocial moment
and general athleticism
defining otter concept
legitimation reflective self
determining subject in the back of a rather long queue
inspired by rapid overshadowed darker
growing high culture subjectivity
germaine to 20th c thot
ELO 6
material to open it up
almost a musical score
in the sense of watching
gestures of coding
and what i’m beginning to call
the typographic in the realm
does define what reading is
now we’re talking formalism
almost a musical score
in the sense of watching
gestures of coding
and what i’m beginning to call
the typographic in the realm
does define what reading is
now we’re talking formalism
ELO 4
i wrote a little engine
to create space handles timing
equally valid edition of text
the spacial spacing reminds
to create space handles timing
equally valid edition of text
the spacial spacing reminds
ELO_AI dispatch 3: how this piece works / where you are an avatar
how it works
it worse
do the interrupt way
electronic literature collection 2
non-eng e-lit
samplying and wreading
analogic to digital
influence of videogrames [Golpe de gracia, 2006, jaime alejandro rodriguez]
how this piece works
where you are an avatar
in rivers of words
in a book machine
which is a “ “
movement sensors and the reading process
old and handmade
eros and caos incredible reading
collaborative texts inside this piece
growing actually from time to time
the idea of navigating
you are going to live an experience very close to death
dying almost dying
listen to terrible things
you want to leave this world
you will remember what you did
it worse
do the interrupt way
electronic literature collection 2
non-eng e-lit
samplying and wreading
analogic to digital
influence of videogrames [Golpe de gracia, 2006, jaime alejandro rodriguez]
how this piece works
where you are an avatar
in rivers of words
in a book machine
which is a “ “
movement sensors and the reading process
old and handmade
eros and caos incredible reading
collaborative texts inside this piece
growing actually from time to time
the idea of navigating
you are going to live an experience very close to death
dying almost dying
listen to terrible things
you want to leave this world
you will remember what you did
Friday, June 4, 2010
ELO_AI dispatch 2: we are running out
this is happening by itself
always in my talks
poetry comes from a lack of understanding
but i do under
stand
so we can look the lyric
we are running out
i’m not conditioned to interrupt
i don’t think i’ve ever made a piece with an ending
go ahead and leave
lyric on the dead what do we do with these fragments
code architectures that
drag and drop authentic reality software
some of our later versions
i like to hand code
try to do that myself
we create the logic
[link removed]
are you ok for tech
a bit late for try
or a secondary monitor
getting over text
ok for text
reorient screen
always in my talks
poetry comes from a lack of understanding
but i do under
stand
so we can look the lyric
we are running out
i’m not conditioned to interrupt
i don’t think i’ve ever made a piece with an ending
go ahead and leave
lyric on the dead what do we do with these fragments
code architectures that
drag and drop authentic reality software
some of our later versions
i like to hand code
try to do that myself
we create the logic
[link removed]
are you ok for tech
a bit late for try
or a secondary monitor
getting over text
ok for text
reorient screen
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